Jazz Concert with Nasar Abadey & Supernova
Georgetown University Doha, Qatar

2025 "Arts and Humanities Fellow"

DC Commission on the Arts and Humanities

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Beyond his role as an educator and accomplished jazz performer, Kenny Rittenhouse is a versatile musician with a distinguished 30-year career. He was a prominent member of the prestigious Army Blues Jazz Ensemble, showcasing his exceptional skills in section playing and as a Jazz soloist. Kenny has shared the stage with renowned artists such as Doc Severinsen, Arturo Sandoval, Bobby Shew, Terell Stafford, Sean Jones, Etienne Charles, James Moody, Ernie Watts, Bill Watrous, Wycliff Gordon, Lou Rawls, Ernie Andrews, Kevin Mahogany, and Ralph Peterson.

As a current member of the Smithsonian Jazz Masterworks Orchestra (SJMO), his musical expertise continues to captivate audiences. He toured with the SJMO on the “Jazz Beyond Borders” tour to San Francisco, Chicago, Houston, New York City, Hong Kong, Beijing, Tokyo, and London, featuring Hubert Laws and Kurt Elling.

Furthermore, he led The Kenny Rittenhouse Ensemble, a dynamic group celebrated for seamlessly blending traditional straight-ahead jazz with elements of Funk & R&B. Their performances are characterized by high-energy vibes and a profound connection with the audience. As a former member of the Pittsburgh Jazz Orchestra, he performed concerts featuring jazz legends Freddie Cole, Ahmad Jamal, and Jimmy Heath. Kenny's musical versatility extends to his orchestral performances, including the east coast premiere of “An African American Requiem” by Damien Geter, performed with the NEWorks Philharmonic Orchestra at the prestigious Kennedy Center. Additionally, he collaborated with the Middleburg Film Festival Orchestra, featuring the “Film Music of Terence Blanchard,” demonstrating his ability to excel in diverse musical genres and settings.

Kenny's talent also extends to the stage of musical theater. He has performed in the pit orchestra for several acclaimed productions, including 'Dreamgirls' (Pittsburgh Playhouse); 'Ain’t Misbehavin’' (Arena Stage); 'After Midnight' (Signature Theatre); 'Catch Me If You Can' (Arena Stage); 'How the Grinch Stole Christmas' (National Theatre); 'Chicago' (National Theatre); and 'Shout Sister Shout' (Ford’s Theatre). His ability to seamlessly transition between the worlds of jazz and musical theater underscores his versatility as a musician.